Challenging the dominant histories of Scotland, this tender work invites us to listen to the landscape — hearing echoes of the marginalised voices we have been made to forget. 　　This film is a cry against the erasure of cultures, languages and identities, told with passion and splendour. History forgets and history remembers, in a process that is not neutral. A singular narrative dominates: books are burnt, dissenters are imprisoned and memories fade. But history is not over. Our movements not only send vibrations towards the future, but into the past. Four queer voices speak in striking locations across Scotland, asking us whose bodies moved the wheels of our industry, whose hands placed the stones of our castles and whose fingers made room in the earth for our crops. When the history books don’t tell the full story, we look to the land itself.

A dead body is found in a burning car on the Berlin-Leipzig highway. The police investigate: Murder. Objects found in the car point to gold smuggling. At the funeral of the murdered man, his circle of acquaintances is scrutinized. They are all suspects. The trail leads detective Lindner to a bar.

A war crimes investigator goes to Belgrade to hunt a man whom everybody thought was dead.

本作は、大人になれない男の姿を描く物語。女性にだらしがなく、うだつが上がらない生活を送る大学院生の大村は、旧友の訃報を受け地元へ戻る。大村は懐かしい顔ぶれとともに時間を過ごすうちに、自らの生き方を見つめ直すことになるのだった。

Follows Candelaria, a 18-year old who must survive a devastated country in a vaguely anachronistic 2040 where sinister military forces rule.

Follows Candelaria, a 18-year old who must survive a devastated country in a vaguely anachronistic 2040 where sinister military forces rule.

Details under wraps. Described as "an intense survival thriller at sea reminiscent of films like Alien and The Thing."

Details under wraps. Described as "an intense survival thriller at sea reminiscent of films like Alien and The Thing."

本作は、大人になれない男の姿を描く物語。女性にだらしがなく、うだつが上がらない生活を送る大学院生の大村は、旧友の訃報を受け地元へ戻る。大村は懐かしい顔ぶれとともに時間を過ごすうちに、自らの生き方を見つめ直すことになるのだった。

Directed by Senkichi Taniguchi